In Bali many ‘long stay’ visitors aka derelicts are bereft of common sense for they succumb to the cliche – ‘Let’s not rock the boat’, a euphemism probably for ‘ Let’s not draw attention to ourselves for fear we may be found out for who we really are’.
These unbridled skeptics tip toe around the isle afraid even of their own utterances being misconstrued and thereby attracting the wrath of unknown entities. They remind one of Barking Deer, which are so skittish that they bolt at the sound of their own droppings. One has had the pleasure and privilege of being ticked off by these self-serving people for brazenly questioning the goings on in paradise.
‘You can’t say this, you can’t do that,’ or, ‘You will be thrown off the island if you write this or that’.
The litany of dos and don’ts goes on to the soundtrack of clicking tongues. No, I’m not suggesting these hapless souls speak in tongues; they just suffer from the enormity of anonymity: Faceless wonders in co-habitation with hallucinations that prompt one to surmise that humanity could be evolving in an oblong fashion, thereby creating a wedge between the Haves (those that draw on their cerebral assets) and Have Not’s (lobotomized folk).
‘Excuse me sir, have you reserved a dichotomy?’
‘Yes but please don’t seat me next to a conundrum.’
‘Oh well, do follow me then to your place in the scheme of things’.
Have you ever navigated the tables of diners lost in a make shift world of cocktails and culinary delights to a corner of the eye which is all seeing…all seeing through the spuriousness of an imaginary social set up like Barnabide’s feast?
The derelicts are the watchers in a paradise festooned with religious tributes. They dwell, procreate and congregate as a group that is akin to a herd of Wildebeest; Acceptance and enlightenment being the exception rather than the rule.
It is well known in some circles that their dodgy knowledge is acquired by dredging society and lovingly collecting, collating, rehashing and serving piping hot flotsam and jetsam at warungs frequented by their ilk.
Culture is the conundrum here for it plays a dual role in assisting in the preferences of the Natives on one hand; and on the other, tickling the appetites, extending the elasticity of sexual synergies and enhancing the delusions of those afflicted by a self induced paralysis in paradise.
Could these derelicts be hamstrung by Nature to prevent them from smothering the prevailing fragile culture with their predatory intentions.
Or, are they paradoxes deliberately planted like weeds to balance the forces in paradise?
The answer to all these questions probably lies with the unseen forces that emerge from the darkness to taunt the derelicts in their dreams with nightmares of the past replete with all the angst of love, hate and belonging to the meter of the Gamelan and Clash of Clichés.
Om Shanti Shanti Shanti Om